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The emphasis levels were computed from the accent at paint time, so a theme could not vary them: every theme got the same derived strong and soft tones, and a semantic hue was pushed toward the accent whether the author wanted that or not. Give each family three authored roles instead. Icon/IconStrong/IconSoft carry the neutral glyph ink and Positive/Negative gain the same Strong and Soft companions. Emphasis becomes a lookup inside the family, and a caller that names a variant pins that level at every emphasis. The paint path returns the authored color verbatim; only the filled treatments keep their saturation floor, because carrying a disc or a fill is a treatment decision. Shipped palettes author the full ladder for both schemes; the palette editor exposes the new rows and the generator writes them. System keeps deriving its neutral ink from the platform palette, since it ships no palette of its own.
16 lines
728 B
TOML
16 lines
728 B
TOML
# The System theme derives all of its colors from the platform palette
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# (e.g. qt6ct's custom color scheme on Linux), so it must NOT ship palette
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# overrides. Only the identity and semantic app colors are provided here, so
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# buttons keep their classic greens while the actual palette stays native to
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# the OS.
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# Icon, IconStrong and IconSoft are deliberately absent: a theme with no
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# palette of its own derives its icon ink from the platform palette.
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[AppColors]
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AccentStrong = #ff148c3c
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AccentSoft = #ff78c850
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Positive = #ff6dd58c
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PositiveStrong = #ff99e2ae
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PositiveSoft = #ff5e8873
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Negative = #ffff8a80
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NegativeStrong = #ffffb3ac
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NegativeSoft = #ff9b7678
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