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* [Icons] Paint neutral glyphs with icon ink instead of body-text ink Neutral icons resolved `currentColor` straight to `QPalette::WindowText`. A glyph is not a word: it is a 16-24px mark drawn with a 2-unit stroke, so antialiasing thins it until it reads lighter than the text beside it, in the one color the palette reserves for reading. The result is that icons recede into the chrome exactly where they should anchor it. Add `theme_icon_ink`, one rule with one job: mix a share of the theme accent into the neutral text color, then hold the result to a contrast floor. The accent share gives the glyph chroma the text does not have, so it reads as an icon rather than as leftover text, and it is derived from `QPalette::Highlight` rather than a new token. The floor keeps a theme with a weak text color from producing an illegible glyph. Only the neutral label roles (`WindowText`, `Text`) are inked. Semantic tints are hues the call site chose on purpose, disabled uses the disabled group, and the selected-row swap to `HighlightedText` is unchanged. The WCAG contrast math moves from `theme_icon_badge` to the new unit, so badge ink decisions and the floor share one implementation. Tests: the ink rule against every shipped palette, the weak-text floor, and the palette-following render tests now ask the rule instead of restating its output. A preview sheet sweeps the accent share at 0-35% over window and button surfaces for both schemes. * [Icons] Add an emphasis axis for icon ink Tint says which hue, style says how much shape, and nothing said how loud. Call sites that have a hierarchy (a card hover panel's nav strip, the visual database filter toolbar) could only pick between "the theme color" and "another theme color", so "this is the important one" had no way to be expressed and every glyph in a surface arrived with the same weight. Add `IconEmphasis` as the third axis: Quiet, Secondary, Primary. It travels inside `IconTint` instead of becoming a fourth `loadThemedIcon` parameter, so every existing call site keeps working and its look, and emphasis reads as part of the same "how should this glyph be inked" decision as the tint. - Primary lifts a neutral glyph to `QPalette::Highlight`, so the surface's own action color names the primary action instead of a second gray token, and pushes both neutral and tinted glyphs to a 7:1 floor. - Quiet blends toward the surface and stops at the 3:1 WCAG non-text floor, for glyphs that label a control rather than act (the magnifier in a search field, a section marker). - Secondary is the previous color verbatim. The default ink borrows enough accent to sit off the palette's pole (5.4:1 on light, 6.4:1 on dark), so the 7:1 primary floor is measurably above it in both schemes instead of being lost against a near-black or near-white default. The tests pin that order where it exists, and the hue shift still separates the levels at a glance. Disabled glyphs and the Selected -> HighlightedText swap are unchanged at every emphasis level. * [Icons] Render the emphasis sheet for every shipped theme The preview only rendered one theme, so a reviewer could not see that the emphasis levels behave the same way across Fabric, Fusion, Leather, Plasma and VelvetMarble. It now writes one sheet per theme and scheme: the neutral, positive and negative families at all three levels, three glyphs per family, as line, sticker and badge at 16 and 24 px, on the window and button surfaces. * Address review findings |
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| .. | ||
| CMakeLists.txt | ||
| icon_tint_preview_test.cpp | ||
| icon_treatment_preview_test.cpp | ||
| theme_icon_render_test.cpp | ||
| theme_migration_test.cpp | ||